"Tribu" is Cinemalaya 2007 best full-length feature film
Monday, July 30, 2007 08:25 PM
Photography: Courtesy of Leanne Jazul
Rap artist Loonie of Stick Figgas (center, in black) acts in an exciting scene with real-life Tondo gangstas for Jim Libiran's Cinemalaya entry Tribu.
"Nananawagan po ako sa mga pulis ng Maynila, 'yun pong mga hinuhuli ninyong mga bata ng Tondo ay mga Best Actor na po ngayon [loud cheers from the audience]. Meron pong ibang paraan para matigil ang mga riot sa Tondo at sa iba pang mga Tondo sa Pilipinas. Parang awa n'yo na, huwag po ninyong patayin 'yung mga bata. Baka sa kanila manggaling ang susunod na National Artist," said Jim Libiran during his acceptance speech at the Cinemalaya Philippine Independent Film Festival 2007 awarding ceremonies last Sunday night, July 29.
Jim Libiran, a native of Tondo, was referring to the crackdown of Manila Mayor Alfredo Lim on members of street gangs—also called "tribes," hence the title of his movie Tribu.
He was also referring to the Best Performance of an Actor award received by his ensemble of non-professional actors, composed of Tondo gangstas from six different tribes. This award puts the rowdy and witty rappers on a short-list of luminaries, which includes Eddie Garcia (Best Actor, Cinemalaya 2005) and Alchris Galura (Best Actor, Cinemalaya 2006).
The closing ceremonies of Cinemalaya 2007 took place at the Tanghalang Nicanor Abelardo of the Cultural Center of the Philippines. The event was hosted by Sid Lucero and Agot Isidro—both of whom had appeared in previous Cinemalaya entries, Donsol and Tulad ng Dati, respectively. Sid also participated in two Cinemalaya entries this year—the full-length film Tukso and short-feature film Tagapagligtas.
Francis Magalona performed his song "Kaleidoscope World" while The Dawn gave a rousing number by singing "Enveloped Ideas." Members of The Dawn were the lead actors of the film Tulad ng Dati, which won Best Film in last year's Cinemalaya.
Tribu was cited as Best Film for "its grand and graphic depiction of contemporary Tondo, Manila, its raw passion and searing violence, its terrible social conditions and conflicting social mores..." The film also won Best Sound (Mark Laccay) for "its masterful rendering of the noise and hum of inner cities, the racket and resonance of the asphalt jungle."
Jim received a Gawad Balanghai trophy, a grant of P200,000 from the Film Development Council of the Philippines (FDCP), and a P1 million post-production grant from Roadrunner.
The broadcast journalist-turned-filmmaker—who first received recognition for reportage on the war in Iraq and Afghanistan—tackled close-to-home violence in Tribu. Jim's screenplay about Tondo gang members won second prize during the 2006 Carlos Palanca Memorial Awards for Literature.
Jade Castro's Endo won the Special Jury Prize "for its revealing take on the lives of "end-of-contract" casual workers in the retail and services sectors, and for its subtle and moving rendering of a love story amid an otherwise deprived social milieu..." JD Domingo of Endo also bagged the Best Editing Award for the full-length feature category that night.
The Best Performance of an Actress Award to Ina Feleo of Endo for her role as a shoe store saleslady. The daughter of Laurice Guillen and Johnny Delgado clearly didn't expect to win as she nervously gave her acceptance speech. "Salamat sa napakalaking blessing na nakasama ako sa Cinemalaya. Salamat nga pala sa pagtsustugi ng magulang ko."
On the other hand, Aureaus Solito seemed very comfortable while receiving his Gawad Balanghai trophy for Best Direction. The man behind the Martial Law film Pisay adds another award to his shelf of trophies from the Berlin International Festival, Asian Festival of 1st Films, and the Gawad Urian.
"We are at an age when our voices are being heard, we are at an age when we must share our art to the country," declared Auraeus during his acceptance speech. He also received a high-definition camera from Sony and Solid Video for winning the Best Director Award in the full-length category.
Other award-winners in the full length category were: Dennis Marasigan, Nikki Torres, and Mara Paulina Marasigan for Tukso (Best Screenplay), Rodolfo Aves, Jr. for Kadin (Best Cinematography), Martin Masadao, Regie Regalado, Dante Garcia, and Endi Balbuena for Pisay (Best Production Design), and Jerrold Tarog for Kadin (Best Original Music Score).
AUDIENCE CHOICE. A new award—the Audience Choice—was launched this year in Cinemalaya. For the first time in its three-year history, the viewers could vote for their favorite among the 8 full-length and 10 short-feature films screened during the ten-day festival. Pisay won the full-length category while Doble Vista, directed by Nisha Alicer, Nix Lañas, and Caren Crisologo, won the short-feature category.
Pisay received P50,000 from the FDCP and Doble Vista received P25,000 from Wilson Tieng of Solar Entertainment.
Cinemalaya competition chairperson Laurice Guillen told PEP (Philippine Entertainment Portal) the rationale behind this new award. "We thought about it last year but there was not enough time to do the mechanics. We tried it this year and it gives the audience some satisfaction that they get the chance to choose their favorites."
SHORT FEATURE CATEGORY. Alvin Yapan's Rolyo won Best Film in the short-feature category. The fiction writer and Ateneo de Manila professor received a Gawad Balanghai trophy, a P100,000 grant from the FDCP, and a one-term training of the filmmaker's choice, and P25,000 from the International Academy of Film and Television.
The Special Jury Prize went to Nineball by Enrico Aragon. It was cited for "its hilarious and satiric take on the national pastime, billiards, and its engaging characterization." Enrico received P25,000 from the FDCP and a Gawad Balanghai trophy.
Other award-winners in the short feature category were: Emmanuel dela Cruz for Gabon (Best Direction), and Vic Acedillo for To Ni (Best Screenplay).
The Cinemalaya 2007 jurors were: National Artist for Theater Salvador Bernal, journalists Marianne "Maan" Hontiveros and Joselito "Lito" Zulueta, and film critics Jeremy Segay and Max Tessier.
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