THE OTHER URBAN LEGENDS. And now, PEP probes not only one, but three urban
legends about Ate Vi:
1) During the late ‘60s, in an attempt to match her
chief rival's career, she also came out with music records. Critics of hers
swear she used a ghost singer or singers for these albums.
2) In her first Darna movie, Lipad Darna Lipad,
since she was still in her teens, she refused to don the Darna costume without
body stockings. So, the producers had to use a body double for some of the
3) She had a nose-lift and other work done on her face.
ANSWERS. On the first urban legend, PEP again asked the help
of Jojo Lim.
"Aminado naman kami, hindi
naman ganung kagaling na singer si Vi. Pero hindi siya gumamit ng ghost
singer," said Jojo over the phone.
It was the convincing power
of her reel and real love team Bobot Mortiz and her manager William Leary that
got Vilma to sing.
"Nahihiya pa nga si Vi noon.
Hindi naman talaga siya singer, pero kinarir niya," related Jojo. And Vilma's
"kinarir" attempt paid off. Her single vinyl (in those days, a single recprding
was done in 45 rpm vinyl discs) "Sixteen" reached gold-sales status within
days. Not bad for someone who admitted she was not actually a singer.
"Partida pa nga yun. Kahit
na manipis ang boses ni Vi, nakuha pa rin niyang kantahin nang maayos ang mga
pinapakanta sa kanya. At nag-gold pa!" Jojo proudly said.
Vilma went on to make 19
singles, all hits and getting two gold-record awards ("Sixteen" in 1969 and
"Palung-Palo" in 1973).
In Pinoy Rock, Vilma's
single, "My Boy Lollipop" is regarded as the very first Pinoy Ska record ever
produced. A hit in 1964 by Jamaican bluebeat singer Millie Small, Vilma covered
the song in 1969. Ska and bluebeat are Jamaica's fusion of blues, jazz, and
Jamaican island beat. They are also the direct ancestors of the Jamaican music
style reggae popularized by Bob Marley.
Vilma's waxing of "My Boy
Lollipop" made her the first Pinoy "rude girl." The "Rudies" or "Rude Boys and
Rude Girls" are Jamaican terms for ska music lovers and musicians.
If Vi admits not being too
good in one area, she made it a point to give her best in other fields—acting
and dancing. Seventy-five acting awards prove beyond doubt that she is a
fantastic actress. As for the dancing—
"Nagsimulang ipakita ni Vi
ang galing niya sa pagsayaw nung pinauso niya yung ‘The Shaft,' ang usong sayaw
noon sa U.S. pagkagaling nila ni Bobot Mortiz doon para sa pelikulang Don't
Ever Say Goodbye (1972). Mula noon, lagi nang inaabangan ang mga dance
numbers ni Vi dahil sa galing at charisma niya sa pagsasayaw," related Jojo.
Her skills in dancing
continued to be admired even until the late ‘80s to early ‘90s via the show Vilma!
where her dance numbers were always a spectacle because of the lavish
production and beautiful choreography.