PRESS STATEMENT FROM CAPTIVE CINEMA:
Do you remember that scene in Notting Hill, where Hugh Grant’s character goes to see Julia Roberts at her swanky London hotel, not realising she’s in the middle of doing interviews promoting her new film? Embarrassed, he poses as a journalist for Horse And Hound magazine and a series of torturously awkward questions ensue.
In The Rewrite, Grant plays Keith Michaels, a once successful Hollywood scriptwriter forced to take a job lecturing at a university to make ends meet.
“He loves screenwriting, he loves films, he’s desperate to get back into the business,” explains the London-born actor, who has a house in Stinchcombe and famously dated Cotswolds model Liz Hurley before that very public indiscretion with prostitute Divine Brown.
“But he’s just so out of fashion. He’s so ‘cold’ in Hollywood terms, he just can’t get a job. So he has to take this undignified position of teaching screenwriting to a lot of second-rate students in a third-rate university.”
Grant, of course, had his big break in Four Weddings And A Funeral 20 years ago, and has gone on to star in numerous romantic comedies. But he hasn’t become jaded by Hollywood – he claims he always was.
“I’ve always played that... affected that pose anyway. Maybe it’s not a pose,” he says. “There are people who really love showbiz. They get up every morning and they just want to make a film, read a script. I’ve never been that person, I confess.”
So, disillusioned Keith picks all the prettiest young girls to be in his class, indulges in some extra-curricular fun and aims to get away with doing as little work as possible. But in true rom-com style, that all changes when single mum Holly, played by Marisa Tomei, signs up as a mature student. She’s determined to have a second chance at life, and convince Keith he can have one too.
“She’s very positive, and my character is very cynical about that,” says Grant. “It’s great that someone like that goes back to university, but can anyone learn to do something that requires talent? No, probably not.
“I do think if you’ve got a little bit of talent, you can learn to make it much better,” he adds.
Following the success of Four Weddings..., Grant went on to play the earnest, bumbling hero several times over, including in the even more successful Notting Hill.
He was a box office hit, the ‘romcom king’, and studios were throwing money at him to do it all over again.
Then in 2002, he played the lead in About A Boy, chopping off his floppy hair to expose a roguish twinkle in his blue eyes. Since then, he’s been the go-to guy for romcoms about a charming but cold-hearted cad.
The Rewrite is his fourth collaboration with writer and director Marc Lawrence, following Two Weeks Notice, Music And Lyrics and Did You Hear About The Morgans?
He insists he’s too old for romantic comedy, but enjoys his collaborations with Lawrence because they don’t require much effort.
“He really is very clever at writing dialogue that’s good for me. The part was written for me, so it wasn’t much of a stretch,” he concedes wryly.
The Rewrite is a reflective film, with Keith looking back to the peak of his success. In one scene, he watches an old video clip of himself making an acceptance speech at an awards ceremony. The footage is doctored from a real speech given by a fresh-faced Grant at the Golden Globes at the beginning of his career. But watching it didn’t stir any sense of nostalgia in the self-confessed “ultra cynic”.
“That scene was slightly annoying; they always wanted to use that old footage of me and I didn’t want to do that. For a start, I convinced myself that I was playing a part in this film, and therefore if you see ME with a completely different voice, 20 years ago, it would bring you out of the film,” Grant reveals.
So what has he got out of his 20-year career as a romantic hero?
“I don’t think I’ve learned any particular lesson,” he says, shrugging.
“Except...”, and finally he appears frank, “it certainly always helps if you don’t just go for the money. Especially certain parts in Hollywood, they’re always trying to draw you in just for the money.
“And the other thing is, the more you work at something - even if it’s quite good material already – keep working at it. It can always be better.” Grant’s mistrust of the media is not without reason.
In 1995, he was caught in flagrante with Brown in downtown Hollywood, and the story was splashed all over the tabloids. Broken-hearted Liz Hurley retreated to Sudeley Castle to get over it, but the couple split soon afterwards. His colourful love life – he has reportedly fathered three love children – has since been under constant scrutiny. If Grant was reluctant to become an actor, he was even more reluctant to become a celebrity.
Over his two decades in the spotlight, the gossip and intrigue surrounding stars’ lives has intensified. In The Rewrite, one of Keith’s students declares celebrities “the Gods of our time”.
“She might be right that some people think that,” observes Grant, shuddering.
“I don’t share that. I’m a little disturbed by celebrity obsession.”
And how does he feel, thinking some people might worship him as a God?
“They would have to be psychotic.”
The Rewrite is released and distributed by Captive Cinema.
Hugh Grant returns to rom-com genre via The Rewrite
by posted on March 2, 2015