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PEP REVIEW: "Portrait of an Artist as Filipino"

Repertory Philippines will stage this period play at Onstage, Greenbelt 1 until February 8.
by Jocelyn Dimaculangan
Published Jan 19, 2009
Paula Marasigan (Liesl Batucan) poses on the set of Portrait of an Artist as Filipino right after opening night held last Friday, January 16. Repertory Philippines will be staging this period play until February 8.


Theater luminaries bring back the glory of the "noble and ever loyal city" through the staging of Nick Joaquin's Portrait of an Artist as Filipino.

Repertory Philippines is staging this period play with Jose Mari Avellana at the helm. In his director's notes, the son of National Artist for Film Lamberto Avellana and National Artist for Theater Daisy Avellana considered himself too close to the material. However, this in-depth knowledge of Portrait worked well for the director (and the audience) since they were able to recreate the mood of Filipinos two months before the outbreak of World War II.


SYNOPSIS. Standing among ruins of Old Manila (Intramuros) is a young man who reminisces about an era gone by. Bitoy Camacho (Joel Trinidad) shifts back and forth from the past to the present as he recalls the precious moments that took place in the house of Don Lorenzo el Magnifico.

The audience is given a portrait of the Marasigan family living in Old Manila in October 1941.

The story revolves around two of Don Lorenzo's daughters, Candida (played alternately by Ana Abad Santos and Irma Adlawan-Marasigan) and Paula (Liesl Batucan). They are both unmarried in their advanced age.

Candida and Paula are dependent on their married brother Manolo (Jeremy Domingo) and their married sister Pepang (Jay Glorioso). After leaving their ancestral home, the two have become obsessed with material things, prompting them to take an interest in their father's self-portrait, which could fetch a small fortune when sold.

However, Candida and Paula resist the temptation to sell their father's masterpiece. Not even their charming boarder Tony Javier (Randy Villarama) could coax them to change their minds.

Though smart and of good breeding, Candida and Paula find themselves now bereft of money and resources. They are forced to leave utility bills unpaid, grovel for work, and become the laughing stock and talk of the town. In spite of all these, however, both Paula and Candida carry within them the glory of days gone, the glory that allowed them to pursue a life filled with poetry, music, conversation, and great art. The glory that is Filipino.

Imminent war, practice-blackouts, and sleazy figures from Manila's nightlife make a wonderful context for Portrait of an Artist as Filipino.


THE VERDICT. Repertory Philippines is able to evoke nostalgia even among viewers who have no direct memory of pre-war Manila.

Viewers will be delighted by the magnificent Marasigan home decorated with an ornate chandelier, a baby piano on one side, and two large capiz windows.

The excellent lighting design gives the impression of passing time and the windows maximize the effect. As the day ends, lights cast an orange glow on the surroundings, mimicking the setting sun.

Even though the story mainly revolves around Candida and Paula, Portrait has an ensemble cast that provides memorable moments all throughout the two-and-half-hour play.

In the last portion of the period play, friends of Don Lorenzo stream in one by one to celebrate the Feast of La Naval. Listing them is a Who's Who of Philippine theater: Baby Barredo, Chinggoy Alonso, Ernie Zarate, among others. Memory lapses aside, they provide jolly repartee that imparts their fondness for the good ol' days.

The two stars of the show, portrayed by Ana Abad Santos and Liesl Batucan on preview night last January 15, were both impressive as "useless old maids" trying to hold on to their pride and dignity.

As Candida, Ana could bring out chuckles when she deftly avoided being seen by the neighbors during the blackout scene but in the next moment, she evoked sympathy from the audience when she nearly broke down in humiliation.

"Poetry cannot save you from the bombs," admonishes their Ninong Don Perico (Dido de la Paz), who has given up poetry for comfort and riches. Both Candida and Paula remain strong in the midst of familial pressure, but they have yet to withstand a much greater foe: the division of the Marasigan family.


With reports from Shelley Jo Saracin

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Performances of Portrait of an Artist as Filipino are scheduled until February 8, 2009 at Onstage Greenbelt 1 Theatre, Ayala Malls Makati. Catch Nick Joaquin's A Portrait of the Artist as Filipino every Friday and Saturday at 8 p.m. with Saturday and Sunday matinees at 3:30 pm.

For ticket inquiries, call the Rep office at 887-0710 or Ticketworld at 891-9999.


Click here to buy show tickets

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Paula Marasigan (Liesl Batucan) poses on the set of Portrait of an Artist as Filipino right after opening night held last Friday, January 16. Repertory Philippines will be staging this period play until February 8.
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