Hello po. Welcome ulit to Labandera Chronicles.
I’m still walking down memory lane.
From Nida Blanca, we go to Nestor De Villa.
THE tandem, way before there was a Guy & Pip, a Vi & Bot. Slightly ahead of the first Gloria Romero-Luis Gonzales team-up in Sampaguita Pictures’ Despatsadora in 1955, and perhaps eclipsed only by Dolphy and Nida’s pairing in television’s John & Marsha, a combination which also crossed over into movies where there’d also always be great dancing.
Old LVN and Sampaguita Pictures movies were aired on black-and-white TV, Tuesday nights, on ABS-CBN’s Mga Aninong Gumagalaw, through the process of telecine transfer from film to video, then kept in film cans temporarily archived in the ABS-CBN compound on Bohol Avenue until after shown, material sadly axed to smithereens by over-eager soldiers tasked to physically close the network down when Martial Law was declared in 1972.
Fortunately, most of us who saw those movies still remember.
Initially together in LVN’s Tinyente Carlos Blanco (1952), Nida and Nestor segued to Romansa sa Nayon, in the same year. They never looked back, did such films as Waray-waray (1954), Ikaw Kasi (1955), Ibong Adarna (1955), Ikaw Kasi (1955), Bahala Na (1957), Kalyehera (1957), Talusaling (1958), Anak ni Waray (1959), and from there, The Nida-Nestor Show in 1960, also on ABS-CBN 2.
Their show ran Thursdays at 8 p.m., opened with a fantastic dance number, had comedy skits in between, then ended again with a dance number. It was standard TV fare then, for Pancho Loves Tita, starring real-life husband-and-wife Pancho Magalona and Tita Duran had a similar format, as did Dolphy and Panchito’s Buhay Artista, all on ABS-CBN.
What now did Nida and Nestor have in common, aside from being fantastic dancers?
They both hailed from Nueva Ecija. She, from Gapan. He, from Cabanatuan.
Born Gines Francisco Soriano, Nestor lived with his parents on a big house along Rizal Street in Cabanatuan, right beside the movie theater La Solidaridad (info provided by Senate President Vicente Sotto III, aka Tito, grandson of another former Rizal Street resident, Valentin Castelo).
“Mayaman ang pamilya nila,” Nida once pointed out. “Mga haciendero. Magduduktor si Nestor, pre-med na sa UST, no’ng napasok sa LVN. Unang kita yata ni Doña Sisang sa kanya, hindi na tinigilan hanggang hindi pumayag mag-artista.
“Nagalit daw ang tatay niya no’ng huminto siyang mag-aral,” Nida continued. “Nagkabati lang sila no’ng kinumbida ni Doña Sisang ang matanda sa premiere namin ng Ibong Adarna, at parang no’ng nakita ng ama na magaling naman pala ang kanyang anak, OK na, nawala na ang galit.”
Nestor stayed in the business for almost five decades, but briefly went into semi-retirement after his unsuccessful foray into politics, in the late 60s. It was in his photography studio in the family-run Bricktown Commercial Center near the QUAD Cinemas, that I got to interview him for my morning show with Jaime de la Rosa, sometime in 1981.
We were briefly interrupted by the arrival of Jeric Soriano, Nestor’s eldest son, then Lino Brocka’s assistant director for Burgis, starring Gabby Concepcion, Amy Austria, Johnny Wilson and Elvira Manahan. Jeric was fretting that Lino had again turned down the trailer script for the movie. Nestor suggested, “Why don’t you try Bibeth here? She also writes for TV.”
Try me, Jeric did. I wrote the trailer script right there and then. Jeric brought the script to Lino’s house. Lino liked it. 6 p.m. that day, Lino called me. He was looking for a script for Christopher de Leon, Dina Bonnevie, and Mark Gil, would I happen to have one?
That, dear folks, is how my first screenplay came about. Palipat-lipat, Papalit-palit got produced, thanks to Nestor de Villa.
Marami akong kuwento, at dapat lang. Am turning 66 in two weeks.