Maging ang premyadong manunulat at nobelistang si F. Sionil Jose ay may pahayag tungkol sa pagkawala sa ere ng ABS-CBN noong May 5, 2020 dahil sa kawalan ng balidong prangkisa.
Sa Facebook post nitong ABS-CBN: A Requiem kahapon, May 8, ibinahagi ng 95-year-old National Artist for Literature ang kanyang karanasan sa ilang taong kabahagi siya ng Pamilya Lopez.
Ang Lopez family ang nagmamay-ari ng ABS-CBN Corporation.
Panimulang kuwento ng manunulat, “Way back when the Manila Chronicle was a major daily, its Sunday column, 'Inside Malacanang,' lampooned former Senator Helena Benitez.
“I confronted Celso Cabrera, the columnist.
“He was a frequent Solidaridad [gallery] customer, an avid student of the Renaissance.
“Helena, I told him, as everybody knew was such a decent politician, well-loved and respected.
“Celso said, The old man (meaning Eugenio Lopez), the publisher, ordered it.
“Before I could chide him, he said, I am nobody from Camiling (Tarlac).
“We were speaking in Ilokano.
"I am not a good writer. This man gave me a job, a house, a car.
“And he’ll refund all that I spend on your books.
“He asked for my balls so I gave them to him.”
MOST POWERFUL OLIGARCH
Ayon kay Jose, ang Lopez family ang pinakamakapangyarihang oligarkiya sa bansa.
Ang impluwensiya nito ay hindi lamang sa larangan ng business kundi maging sa pulitika.
Ani Jose, “The Lopez family is a leading member of the oligarchy—far more powerful than any of the oligarchs, then and now.
“As a leader of the sugar bloc, it had massive political and economic influence. It made presidents then used its influence to enlarge its economic clout, Meralco, ABS-CBN, etc.
“God knows what billions the family got from government financing institutions to become a haven for communist fronts and communists, among them the late Renato Constantino.
"One Sunday morning, he called me up at home and asked if I’d open our Solidaridad Galleries—Don Eugenio Lopez wanted to see the Nena Saguil exhibition. I hurried to the Gallery in Malate.
"Don Eugenio arrived and looked at the exhibit twice then he bought more than half of the show.
"Surely, there was a good side to this oligarch—his patronage of Filipino art, his Filipinoness as illustrated and epitomized in the Lopez museum.
“Surely, many writers and cultural workers owe him profound gratitude.”
[Ed's Note: Hindi malinaw kung ano ang pinanggagalingan ni F. Sionil Jose at natawag niyang 'communist' at 'communist front' si Renato Constantino, isang respetadong historian, author, guro, kolumnista, at intelektwal.
Maraming dekada na at hanggang kasalukuyan, pinag-aaralan ang mga libro ni Constantino sa mga kolehiyo at unibersidad, at walang anumang nakapaloob sa mga itong nagpapahiging man lang na siya'y isang komunista.
Wala namang kumukuwestiyon, komunista man o kapitalista, sa reputasyon ni Ka Tato bilang isang fervent nationalist.]
“I’LL NOT MOURN THE PASSING OF ABS-CBN”
Sa huli, nakisimpatiya si Jose sa mga taong naapektuhan ng shutdown, pero hindi ibig sabihing ikinalungkot niya ang pagbagsak ng Lopez empire.
Sabi pa niya, “I sympathize with the hundreds who will lose their jobs but I’ll not mourn the passing of ABS-CBN; its demise, I dare say, is even good for Philippine democracy if it also means the dismantling of the Lopez empire.
“To conclude: The Lopezes played the double game; they were vociferously anti-American but were the beneficiaries of American largesse in the sugar quota gift from America.
“Their writers included liberals, fellow travelers and communists but Eugenio Lopez himself personified the lowest form of capitalism.
“The Filipinos do not really need ABS-CBN. It does not produce goods or food.
“It has certainly entertained millions but it did not diminish poverty.
“Again, freedom worked for the rich—but not for the Filipinos.”
Naka-public ang post na ito ni Jose.
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