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REVIEW: The Lord of the Rings: The War of the Rohirrim

Middle-earth fans are in for a treat.
by Mark Angelo Ching
Published Dec 17, 2024
The Lord of the Rings: The War of the Rohirrim
Set 183 years before the events chronicled in the original trilogy of films, The Lord of the Rings: The War of the Rohirrim tells the fate of the House of Helm Hammerhand (Brian Cox), the legendary King of Rohan.
PHOTO/S: Warner Bros. Pictures

Middle-earth fans are in for a treat with The Lord of the Rings: The War of the Rohirrim, the latest movie in the fantasy series.

This animated film recounts the story of King Helm Hammerhand and the epic siege of Helm’s Deep.

While the film carries the weight of JRR Tolkien’s world, it stumbles out of the gate and takes time to find its stride.

The opening is slow, and for casual viewers or those unfamiliar with The Lord of the Rings lore, the early exposition can feel overwhelming.

The narrative requires close attention to fully understand the characters' motivations and the complex political dynamics at play.

However, once the story gains momentum, it unfolds into a captivating tale of betrayal, war, and personal redemption, delivering a deeply satisfying experience.

The Lord of the Rings: The War of the Rohirrim Characters

Character development is one of the film’s more uneven aspects. King Helm, central to the story, is initially difficult to sympathize with due to his arrogance and apparent disregard for the lives of others. His rude attitude makes him seem more tyrant than hero.

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But as the story progresses and tragedy strikes, his transformation into a more nuanced and empathetic figure becomes the emotional backbone of the film.

Hera, King Helm’s daughter, serves as the closest thing to a stable protagonist. Her steadfast nature and moral clarity make her easy to root for, but her motivations—particularly her reluctance to embrace the role of queen—feel underexplored.

Hera of The Lord of the Rings: The War of the Rohirrim
Hera
Photo/s: Warner Bros. Pictures
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She’d rather be a warrior and an explorer, and she refuses to be married, and the narrative does not tell us why. The film hints at her internal struggles, but never dives deep enough to make her arc as compelling as it could have been.

The brothers Hama and Haleth play crucial roles in the narrative, yet they feel insufficiently explored. While their actions and fates are intended to carry emotional weight, the lack of deeper characterization makes it difficult for the audience to form a meaningful connection with them.

Lastly, there’s Wulf, the antagonist, an intriguing and even sympathetic villain at first. His grievances are understandable, and his early portrayal lends complexity to the conflict.

However, as the story progresses, he crosses moral lines that strip him of his relatability, leaving him more of a typical villain by the film’s climax.

The Lord of the Rings: The War of the Rohirrim STANDOUTS

One of the film's standout elements is its exceptional voice acting, which adds emotional depth and breathes life into the characters.

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NOOD KA MUNA!

The good performances of Brian Cox as King Helm, Gaia Wise as Hera, and Luke Pasqualino as Wulf draw viewers in, making them deeply connect with the animated characters.

Visually, The War of the Rohirrim is both a feast and a challenge.

The photorealistic backgrounds are stunning and do an excellent job of capturing the majesty of Middle-earth.

They evoke the same sense of awe that Peter Jackson’s films brought to the screen, grounding the animation in a visually rich and immersive world.

The character animation in the opening scenes, however, feels inconsistent, with movements that can appear stiff and jarring. This occasionally undercuts the emotional weight of pivotal moments. Fortunately, as the film unfolds, these flaws become less apparent, allowing the compelling story to take the spotlight.

Equally impressive is the sound design, which is nothing short of a feast for the ears. Familiar soundtracks from the original Lord of the Rings trilogy are woven throughout the film, evoking a sense of nostalgia while amplifying the emotional weight of key scenes. The orchestral swells and the haunting melodies create a rich experience.

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Despite its flaws, The War of the Rohirrim delivers an exciting and enjoyable experience, even for viewers who aren’t ardent fans of Tolkien’s lore.

It’s a story of redemption, family, and resilience, bolstered by moments of thrilling action, stunning visuals, and masterful sound design.

The Lord of the Rings: The War of the Rohirrim is directed by Kenji Kamiyama and produced by Warner Bros. Animation and New Line Cinema.

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The PEP REVIEW section carries the views of individual reviewers, and does not necessarily reflect the views of the PEP editorial team.
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Set 183 years before the events chronicled in the original trilogy of films, The Lord of the Rings: The War of the Rohirrim tells the fate of the House of Helm Hammerhand (Brian Cox), the legendary King of Rohan.
PHOTO/S: Warner Bros. Pictures
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